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Van Gogh's Studio Practice
|2. Richard Daniel de Puma|
Etruscan Art. In the Metropolitan Museum of Art
This informative and engaging book on the Museum''s outstanding collection of Etruscan art also provides an introduction to the fascinating and diverse culture of ancient Etruria, which thrived in central Italy from about 900 to 100 B.C.......
|3. Modiano Patrick|
Although originally published separately, Patrick Modiano''s three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others,...
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|4. Alsteens Stijn|
Durer and Beyond
|5. Chaffee Cathleen|
Eye on a Century
Eye on a Century celebrates a cornerstone of the Yale University Art Gallery''s holdings: the Charles B. Benenson Collection of Modern and Contemporary Art. This major bequest includes works by a veritable pantheon of modern and contemporary artists - among them Jean-Michel Basquiat, Stuart Davis, Fernand Leger, Joan Miro, James Rosenquist, and David Smith. The catalogue provides exciting new scholarship on some of the collection''s most significant objects, including works by Alexander Calder, Kurt Schwitters, and Pablo Picasso, alongside lesser-known works, by artists such as Alicia Penalba, David Wojnarowicz, and Martin Wong, several of which have never before been published. The introduction, which examines the context of Benenson''s collecting, is followed by more than fifty catalogue...
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|6. Carvalho Rosa de|
Printmaking in Paris: The Rage for Prints at the Fin De Siecle
In the years between 1890 and 1905, Paris witnessed a revolution in printmaking. Before this time, prints had primarily served reproductive or political ends, but, as the century came to a close, artistic quality became paramount, and printmaking blossomed into an autonomous art form. This gorgeously illustrated and accessibly written book looks at the circumstances in which this terrific new enthusiasm for prints unfolded; the principal players in its development; and the various printmaking techniques being used.
Most modern French artists experimented with lithographs, etchings, or woodcuts, many of which were published in small editions intended for art connoisseurs and collectors. Their popularity, however, was not confined to these exclusive groups. Colorful prints designed by Pie...
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|7. Phyllis Lambert, Barry Bergdoll|
The Seagram Building rises up over New York''s Park Avenue with perfect lines of bronze and glass. Considered one of the greatest icons of twentieth-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman''s daughter, Phyllis Lambert, was twenty-seven years old when she took over the search for an architect and chose Mies van der Rohe (1886-1969), a pioneering master of modern skin and bones architecture. Mies, who designed the building clad in bronze and amber-tinted glass along with Philip Johnson (1906-2005), emphasized the beauty of structure and fine materials and set the building back from the avenue, creating the building''s plaza as an urban oasis. Lambert''s choice established her role as a leading archit...
|8. Wiggins Colin|
British artist Michael Landy (b. 1963) is known primarily as an installation artist. His work, along with others associated with the Young British Artists (YBAs), was first catapulted to the world spotlight when it was featured in the notorious Sensation exhibition (1997). His sculptural installations and performances explore political and social themes, such as the nature of consumerism and commodity. In 2009, Landy began a three-year artist residency at the National Gallery, London. He chose to focus his project on representations of saints and their accompanying stories, often gruesome, which were once part of common culture but are now largely unknown. Landy''s preoccupation with recycling narratives and repurposing imagery results in Saints Alive, the subject of this book, conceived t...
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|9. Kingsley Hope|
Seduced by Art: Photography Past and Present
Today''s photography is part of our own cultural moment, but it also arises from artistic traditions of the past. Seduced by Art looks at the effects of art and its history on the creation of photographs, tracing continuities in aims, visual style, and tech...
Kingsley Hope Seduced by Art: Photography Past and Present
The Art of the Louvre's Tuileries Garden
The Tuileries Garden is a masterpiece of garden design and one of the world''s most iconic public art spaces. Designed for Louis XIV by landscape architect Andre Le Notre, it served the now-destroyed Tuileries Palace. It was opened to the public in 1667, be...
|11. Brown Jonathan|
Murillo: Virtuoso Draftsman
Known primarily as a great painter, Bartolome Esteban Murillo (1617-1682) was also one of the best draftsmen of the 17th century. Although his devotional paintings seem to have been created effortlessly, they are the result of careful thought and study, a process that comes alive in the preparatory drawings. Murillo used a variety of techniques, favoring pen and ink and brown wash and red-and-black chalk. Like painters schooled in Italian Renaissance practice, the Spaniard developed his paintings in stages, starting with sketches of the full composition and then focusing on details that posed specific problems. Occasionally, Murillo used drawings as a medium for original compositions; these are highly finished pieces, usually enhanced by the use of wash and unmistakably stamped with the ar...
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|12. Marjorie E. Wieseman|
The National Gallery, London is home to a world-renowned collection of Dutch paintings that includes masterpieces by Rembrandt, Vermeer, Hals, Cuyp and Ruisdael, among many others. Still lifes painted with painstaking attention to detail, sublime landscape...
|13. Martin Postle|
Johan Zoffany RA: Society Observed
The 18th-century painter Johan Zoffany (1733-1810) was an astute observer of the many social circles in which he functioned as an artist over the course of his long career. This catalogue investigates his sharp wit, shrewd political appraisal, and percepti...
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|14. Kathryn A. Morrison|
Carscapes. The Motor Car, Architecture, and Landscape in England
When the motor car first came to England in the 1890s, it was a luxury item with little practical purpose - drivers couldn''t travel very far or very quickly without paved roads or traffic laws. Thus began a transformation that has affected the architecture...
|15. Friedlander Lee|
In the Picture: Self-portraits, 1958-2011
Self-portraiture is a challenging and complicated subject for any artist. Many fascinating and daunting questions emerge: if an artist is also the subject of the work, is there a conflict of interest? Or does self-portraiture afford an artist the opportuni...
|16. Mears Patricia|
Ivy Style: Radical Conformists
Many of the most familiar sartorial images of the 20th century can be traced to the prestigious college campuses of America. The Ivy League Look, or Ivy Style, was once a cutting-edge look that for decades led the evolution of menswear. Far more than a classic way of dressing, Ivy Style spread beyond the rarified walls of Harvard, Yale, and Princeton to influence countless designers.
Focusing on menswear dating from the early 20th century through today, this elegant book traces the main periods of the look: the interwar years when classic items, such as tweed jackets and polo coats, were appropriated from the English man''s wardrobe and redesigned by pioneering American firms such as Brooks Brothers and J. Press for young men at elite East Coast colleges; then from 1945 to the late 1960...
|17. Agbabi Patience|
Metamorphosis: Poems Inspired by Titian
As part of a unique collaboration between the National Gallery and the Royal Opera House, fourteen leading poets were invited to respond to three great masterpieces by the Renaissance painter, Titian: Diana and Callisto, Diana and Actaeon and The Death of Actaeon. Titian''s paintings were inspired by Ovid''s Metamorphoses - stories of transformation - and depict the fatal consequences of a mortal tragically caught up in the affairs of the gods. Titian would have known Ovid''s poem from a contemporary translation in Italian. This book''s introduction by Nicholas Penny, Ovid, Titian, and English Poetry, shows how Titian incorporated specific elements from Ovid''s verses in his paintings, and compares some of the most famous translations in English, from the first version by Arthur Golding (1...
|18. Laurenza Domenico|
Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution
Known as the century of anatomy, the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period''s most prominent artists - including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy - turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained.
Art and Anatomy in Renaissance Italy examines this crossroads between art and science, showing how the attempt to depict bone s...
Laurenza Domenico Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution
|19. Mazzotta Antonio|
Titian: A Fresh Look at Nature
Titian is acknowledged as the greatest of the sixteenth-century Venetian painters, best known for his portraits, mythological pictures and religious subjects. Yet his first great achievement as a painter, schooled in the workshop of Giovanni Bellini, was to refashion the portrayal of nature in his own distinctive style by studying the work of Albrecht Durer, whose naturalistic paintings of plants, animals and landscape - for which northern European artists were renowned - had caused a sensation in Venice in the first decade of the sixteenth century. In this short, beautifully illustrated book, Antonio Mazzotta presents this experience, together with Titian''s native landscape of PievediCadore, as crucial influences in the artist''s early representation of nature. The recently restored Flig...
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|20. Bills Mark|
Dickens and the Artists
A remarkably visual writer, Charles Dickens (1812-1870) emerged from a tradition where illustrations formed a significant part of both serial and book publishing. At the centenary of his birth, Dickens and the Artists explores the novelist''s artistic opini...
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